The collection comprises over one thousand pieces made between the second century BC and the present day, acquired by the different financial institutions that have come together over the years to form what is now Banco Santander.
Its substantial painting section, which contains works by some of the greatest masters in art history (El Greco, Zurbarán, Picasso, Tàpies, etc.), was enlarged in 2025 with new acquisitions, most notably canvases by Goya, Velázquez, Rubens and Ribera. It also boasts fascinating examples of sculpture, the decorative arts, coins and banknotes.
The Foundation handles all promotional and research activities related to the collection, such as loaning works to museums and cultural institutions, creating audiovisual materials and publications that are made available to the public on its website, organizing talks and workshops at the Santander Art Gallery, and offering grants to support the research of its holdings.
José de Echenagusía
Llegada al Calvario
Exhibition El espíritu de Bizkaia Museo de Arte Sacro, Bilbao 16.12.2025–10.05.2026
José Gutiérrez Solana
Don Miguel de Unamuno
Exhibition Luz y sombra. Goya y el realismo español Bozar. Palais des Beaux-Arts, Brussels 08.10.2025–11.01.2026
José Gutiérrez Solana
Procesión
Exhibition Luz y sombra. Goya y el realismo español Bozar. Palais des Beaux-Arts, Brussels 08.10.2025–11.01.2026
Pablo Palazuelo
Lunariae
Exhibition Telúricos y primitivos. De la Escuela de Vallecas a Miquel Barceló Museo Carmen Thyssen, Málaga 07.10.2025–01.03.2026
César Manrique
Bajo jable
Exhibition Telúricos y primitivos. De la Escuela de Vallecas a Miquel Barceló Museo Carmen Thyssen, Málaga 07.10.2025–01.03.2026
Alberto Sánchez
Pájaro bebiendo agua
Exhibition Telúricos y primitivos. De la Escuela de Vallecas a Miquel Barceló Museo Carmen Thyssen, Málaga 07.10.2025–01.03.2026
Eduardo Chillida
Elogio de la luz XVI
Exhibition Harri, Lurra, Huts Chilllida Leku, Hernani (Gipuzkoa) 06.02.2025–12.10.2025
Alonso Sánchez Coello
Doña Juana de Mendoza con un enano
Exhibition Búcaros. Valor del agua y exaltación de los sentidos en los siglos XVII y XVIII Museo de América, Madrid 23.05.2025–19.10.2025
Pedro de Camprobín
Escritorio con arquilla y frutero (pareja de lienzos)
Exhibition Búcaros. Valor del agua y exaltación de los sentidos en los siglos XVII y XVIII Museo de América, Madrid 23.05.2025–19.10.2025
Santiago Rusiñol
Paseo de los plátanos
Exhibition Rusiñol y la Alhambra. El despertar de un pintor poeta Museo de Bellas Artes, Granada 02.06.2025–14.09.2025
Niki de Saint Phalle
Bailarina
Exhibition Niki de Saint Phalle. Le bestiaire magique Caumont-Centre d'Art, Aix-en-Provence (France) 30.04.2025–05.10.2025
José Gutiérrez Solana
Las chicas del arrabal
Exhibition Madrid. ¡Viva la bohemia! Los bajos fondos de la vida literaria Museo de Historia, Madrid 27.02.2025–08.06.2025
José Gutiérrez Solana
Chulos y chulas
Exhibition Madrid. ¡Viva la bohemia! Los bajos fondos de la vida literaria Museo de Historia, Madrid 27.02.2025–08.06.2025
Joaquín Sorolla
Baile en el café Novedades de Sevilla
Exhibition Sorolla, cien años de modernidad Galería de las Colecciones Reales, Madrid 17.10.2024–20.04.2025
José Gutiérrez Solana
El espejo de la muerte
Exhibition Esperpento. Arte popular y revolución estética Museo Nacional Centro de Arte Reina Sofía, Madrid 09.10.2024–10.03.2025
In 2025, the Foundation issued the fourth call for submissions to this research grant programme, created with a view to seeing and understanding the Banco Santander Collection from innovative perspectives.
The programme is open to individual researchers, groups and non-profit organizations, who may approach the collection from any field of knowledge and present their findings in different formats depending on the content (article, dossier, audiovisual production, curatorial project, etc.).
A committee of independent experts and representatives of Fundación Banco
Santander selected the two winners: Miguel Álvarez Fernández for a project focused on sound studies, still a fledgling discipline in Spain, and Ana Garriga and Carmen Urbita (hosts of the podcast “Las hijas de Felipe”) for their research into the material culture of the sixteenth and seventeenth centuries.
Additionally, the Foundation publishes the most outstanding projects in Spanish and English in its recolección series. In 2025, one of the winning research initiatives from the second call for applicants was published: The Inanimate Universe of José Gutiérrez Solana in the Banco Santander Collection by Mónica Piera, Ivette Vilalta and Montserrat Morgades.
The Bank’s art collection is housed in a nearly 3,000-square-metre gallery in Grupo Santander City. Visiting hours are from 10 am to 5 pm, Monday through Thursday, and 10 am to 2 pm on Fridays. The gallery offers free audio guides that provide information about the works on display as well as guided tours.
The Foundation also uses this gallery to host events for diverse audiences, which sometimes spill over into the building’s landscaped grounds, dotted with ancient olive trees and sculptures by contemporary artists.
Between March and December, the Foundation organized five sessions of “Sobremesa con...” [Table Talk with...], where experts from various fields discuss works and artists in the Banco Santander Collection. In 2025 the guest speakers were Juan Antonio Sánchez Pérez, María José Rubio, Enrique Varela, Benito Navarrete and Juan Cayón.
On 21 May, Miguel Reyes Jiménez’s company offered a flamenco dance and music show inspired by Sorolla’s work Baile en el Café Novedades de Sevilla [Women Dancing Flamenco at the Café Novedades in Seville] in the Banco Santander Collection.
On 10 December, the Cuban band Los Chocolatinos performed against the backdrop of the canvases that Sert painted for the Waldorf Astoria. The style of music was chosen because it was that hotel’s orchestra, conducted by Xavier Cugat, which made Caribbean rhythms popular in New York City in the 1930s.
Workshops about the Banco Santander Collection were held every Saturday from March to December. Those for families offered a combination of fun and learning so that adults and kids alike could enjoy the experience of art. Those designed for the educational community were based on working with the body and performance actions. Finally, the workshops for specific groups tried to find new interpretations of the works in the collection.
Selected works from the Bank’s art collection are on permanent display at the art gallery in Grupo Santander City, where visitors can admire over two hundred canvases by El Greco, Zurbarán, Sorolla, Picasso, Miró, Barceló and other masters. Highlights include the recently restored panels that Sert made to decorate the Waldorf Astoria Hotel in New York and the set of paintings that survey Gutiérrez Solana’s artistic career.
The leading contemporary sculptors (Chillida, Alfaro, Chirino, Solano, etc.) are also represented here.
In addition, the gallery contains other areas devoted to exhibiting drawings, tapestries, pottery, antique furniture, and a collection of coins and banknotes that ranges from drachms struck by Greek colonies in the second century BC to the peseta. In 2025, the gallery overhauled the exhibition design of the space housing the numismatic collection and introduced new interactive audiovisual features that provide additional information about the items in the display cases.
This exhibition presented a selection of works by past winners of the Award for Artistic Production, a distinction that Fundación Banco Santander offered from 2013 to 2023 in partnership with Open Studio. The show’s aim was to examine the evolution of their work and the Spanish social, political and art world over the last decade.
From 23 January to 23 March 2025, visitors were able to view the latest creations of the ten prize winners: Belén Rodríguez, Olmo Cuña, Elvira Amor, Pablo Capitán del Río, Jesús Madriñán, Mario Santamaría, Javier Rodríguez Lozano, Mònica Planes, Irati Inoriza and Andrea Aguilera.
In addition to images of the works on display, the exhibition catalogue contained the conversations that the curator, Beatriz Alonso, had with these ten artists about their creative proposals.

Centro de Arte Complutense, Madrid
The Foundation organized from 8 May 2025 to 25 October 2026 a Sorolla exhibition featuring five of his works owned by the Hispanic Society of America alongside those in the Bank’s own art collection.
The loans from the American institution included portraits of the painter’s father-in-law Antonio García Peris, Ira Nelson Morris and Juan Ramón Jiménez which, combined with the three in the Banco Santander Collection, offered a rare opportunity to admire the Valencian painter’s talent as a portraitist.
The show was rounded out with pieces by some of Sorolla’s contemporaries—Nonell, Casas, Rusiñol, Gimeno—that can regularly be seen at the Santander Art Gallery to offer a panoramic overview of Spanish painting from the mid-nineteenth to the early twentieth century.

Santander Art Gallery Boadilla del Monte, Madrid
The Foundation sponsored the first exhibition dedicated to Victoria Eugenie of Battenberg, wife of Alfonso XIII.
The show was divided into eight thematic sections that explored her official role as queen consort, her family life and the lesser-known aspects of her personality. From 3 December 2025 to 5 April 2026, visitors were able to admire portraits and sculptures by Sorolla, László and Benlliure alongside objects that belonged to Victoria Eugenie or people close to her, or pertained to her historical context (letters, photographs, books, jewellery, clothing, etc.). The exhibition even recreated some of her private apartments in the southeast wing of the Royal Palace of Madrid, including her study and bedroom.
To accompany the show, Patrimonio Nacional produced a publication about the queen with a foreword by her great-grandson, King Felipe VI.

Galería de las Colecciones Reales, Madrid
The Foundation sponsors two editions each year of La Obra Invitada [The Guest Work], an exhibition programme that allows the Museo de Bellas Artes in Bilbao to temporarily host pieces from other museums or institutions.
From 29 October 2024 to 2 February 2025, the museum displayed forty selected manuscripts from the Arriola-Lerchundi Library, dated to between the twelfth and nineteenth centuries, alongside works from its own collection related to their content.
From 13 February to 30 September 2025, the programme featured fourteen paintings, six drawings and thirty-four collotypes from the series Histoire naturelle by Max Ernst, a key representative of Surrealism, belonging to the private collection of English gallerist Aram Mouradian.

Museo de Bellas Artes, Bilbao
Fundación Banco Santander is a sponsor of the Estampa fair and two activities within its Colecciona programme, which aims to stimulate the Spanish art market: the Colecciona seminar and “De la mano de un coleccionista” [A Collector’s Guide].
At the Colecciona seminar, prominent figures in the culture industry analyse the idiosyncrasies of Spain's contemporary art market. The 2025 edition, held from 22 March to 21 June, focused on exploring the relationship that collectors have with architecture, urban planning, cultural management and artistic creation.
“De la mano de un coleccionista” is an activity that takes place during the Estampa fair, where members of the 9915 Association take participants on guided tours of their favourite galleries and artists. The three tours scheduled from 9 to 11 October were led by Zaida Santos, Susana Rego and Sofía Arias, and Sandra Alzamora.
The Foundation supports this programme, which offers free advice to contemporary art buyers at ARCOmadrid.
Provided by the consulting firm Arte Global, the service is offered to fair goers who are interested in getting into art collecting. Their experts suggest galleries, artists and works that suit the tastes and budgets of first-time collectors and advise them on every aspect of the process of acquiring an artwork.
This service may be in-person or digital, as participants can also have expert recommendations sent to their phones.
Fundación Banco Santander sponsors the Francisco Calvo Serraller lecture series, organized by the Foundation of Friends of the Prado Museum. Under the title “Ilusión y persuasión. El arte del Barroco”, the guest lecturers at the 2025 edition attempted to unlock the secrets of the Baroque, a complex cultural movement that flourished in seventeenth- and eighteenth-century Europe and Latin America.
Fundación Banco Santander is an institutional partner of this association, which supports private collectors of contemporary art. In addition to defending their interests, it encourages instruction for new collectors and the creation of tools to facilitate the regulation and appreciation of art collecting in Spain.
The Foundation works with this independent association of professionals whose goal is to defend the interests of the art community as a whole. Since it was created in 2004, the IAC has launched various initiatives to ensure the implementation of best practices in the network of contemporary art institutions and improve its social image.
The foundation is a corporate friend of the Museo Nacional Thyssen-Bornemisza. It supports the museum by helping to preserve and promote its collection and carry out its annual programme of activities.
The Foundation has joined the community of friends of the Museo Nacional Centro de Arte Reina Sofía to support contemporary art and make it available to the people.
The Foundation is a corporate benefactor of this cultural institution founded in the eighteenth century, whose mission is to foster artistic creativity and to promote and study the arts and cultural heritage.
In 2025, the Foundation supported the third edition of Praxis, the arts and humanities studies programme offered by this arts organization. Participants seek to transform social and cultural reality by finding new ways to think and act.